It is not a psychedelic hurricane headed toward a Grateful Dead show.

It’s simply a snapshot I took with my iPhone as I walked across a parking lot this morning on my way to the Cafe.

It’s a drop of car engine oil, or gasoline, on wet pavement…

Is anything ugly, really?

What do you think? Leave a comment!

“The best way out is always through.” - Robert Frost

Pain and art. A legendary combination. Emotional pain has fueled the creation of great art since…well…forever, right?

Is pain necessary to create great art? Of course not.

But when pain DOES come…when you feel it…when you experience sadness, anger or loneliness, as a creative person you have an incredible opportunity. You can turn that pain into art.

This is a gift.

I know I’m not revealing a big secret here. It’s just a reminder.

Amazing love songs are written by miserable, broken-hearted people.

The world’s greatest novels are often filled with tragedy.

Express your pain through your art, through your medium, whatever that is.

Pick up that guitar and play what you feel…

Open your laptop and write exactly what’s on your mind without censoring yourself…

BE sad. BE angry. Don’t resist it.

But don’t just sit there…

Use it.

Channel that pain into your art.

Because “the best way out is always through”.

Because when you write that sad song, or paint that angry painting, something really cool happens:

You end up feeling a hell of a lot better!

Do you use your pain to create? Leave a comment!

Diana Spechler is a writer from New York City. Her first novel, Who by Fire, was just published by HarperCollins. Diana was kind enough to answer some questions about her writing process and her creative journey.

But first, here’s the synopsis of her novel from the back of the book:

Bits and Ash were children when the kidnapping of their younger sister Alena, an incident for which Ash blames himself, caused an irreparable family rift. Thirteen years later, Ash is living as an Orthodox Jew in Israel, cutting himself off from his mother, Ellie, and his wild child sister, Bits. But soon he may have to face them again: Alena’s remains have finally been uncovered. Now Bits is traveling across the world in a bold and desperate attempt to bring her brother home and salvage what’s left of their family. Told from the alternating points of view of the three family members, Who By Fire is a searing commentary on guilt, grief, and the inescapable bonds of family from a fresh and extremely talented new voice in American fiction.

Why this story? What made you so passionate about it? Is it based on your life or mostly fictionalized?

It’s a made-up story. I was trying to capture the feeling I get as a Jew in America hearing about the suicide bombings in Israel. Of course, after I’d written several hundred pages, it became a story about lots of other things, too, but that was the initial seed.

You’ve achieved something that many aspiring writers dream of; you got your first novel published by a major publishing house. How did you make that dream a reality? What would you say is the key ingredient in your personality that made it possible?

The people who are closest to me often tell me I’m too hard on myself. I think I’m not hard enough on myself, which might prove their point. I’m not sure. I do know that writing and selling a novel takes a lot of work and a lot of patience. It also requires a very thick skin. There is quite a bit of rejection along the way. It’s like Fight Club: You’re not only letting yourself get beaten up; you’re asking for it. You’re beating yourself up. And you’re always going back for more. Beyond that, it’s imperative to find a good agent. My agent is a miracle-worker.

How long did it take you to craft your novel? Can you describe your daily regimen?

The writing part took four and a half years. Morning is my favorite time of the day for writing, so along the way, I have tried to take jobs that don’t require much of me until the late afternoon. I don’t have a strict regimen, but I do make the necessary effort to write every day.

What were the biggest stumbling blocks you faced during the process toward publication, and how did you overcome them?

The first stumbling block was finishing a draft and realizing that I hadn’t constructed a plot. I printed several hundred manuscript pages and read them eagerly, and then thought, “This is not a novel. This is just characters walking around having thoughts and feelings.” Then I had one of those silent crying jags where you squeeze your eyes shut and bite your thumb knuckle and your shoulders convulse. Then I went back to the drawing board. Plot was the hardest part. It took a lot of drafts to nail one down. The only way to overcome stumbling blocks in the writing process is to stick with it. (I know…that’s lame advice, but I think it’s true.) I let myself wallow in self-pity from time to time, but never for more than a couple of days.

Are you writing full-time or do you have a full-time job to pay the bills?

Right now, I’m a cocktail waitress a couple nights a week. I also teach an evening fiction class for the Gotham Writers’ Workshop, as well as a creative writing class at a fashion college in Manhattan called Laboratory Institute of Merchandising. I also pick up odd jobs: ghost-writing, freelance writing, freelance editing. I keep busy, but like I said, I try hard to set my mornings aside for writing. And I avoid full-time jobs because I don’t want to be focused on some other career.

What advice would you give to an aspiring novelist?

Find good readers. Listen to their constructive criticism. Don’t be afraid to throw away a hundred pages if it’s necessary. It will hurt, just like it hurts to get a wart burned off your toe, but in the long run, you will be happier with a perfect, pedicured, wart-free foot, right?

If you could bring 3 books to a desert island, what would they be?

If I was literally going to a desert island, I would probably bring the longest books I could find, and I’d probably get bored eventually, no matter which books I brought, but three of my very favorite novels are The Secret History by Donna Tartt, That Night by Alice McDermott, and Middlesex by Jeffrey Eugenides.

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I’d like to thank Diana for taking the time to inspire us, and congratulate her on getting her first book published. (Did you hear that, people? It took her 4.5 years to finish her novel! Now that’s dedication!)

Be sure to visit Diana’s website, or her page at HarperCollins, and support her by buying her book!

Oh, and be sure to leave your comments!

Do you have a favorite poem?

Last night I read poetry with a friend over dinner. We picked a few books off my shelf: Dorothy Parker, Rumi, and love poems by Pablo Neruda (who was portrayed in the wonderful movie Il Postino.)

One particular poem by Neruda made us laugh out loud:

My ugly love, you’re a messy chestnut.
My beauty, you are pretty as the wind.
Ugly: your mouth is big enough for two mouths.
Beauty: your kisses are fresh as new melons.

My ugly one, I love you for your waist of gold;
my beauty, for the wrinkle on your forehead.
My Love: I love you for your clarity, your dark.

Isn’t that a gem?

So what’s your favorite poem? If you have one, be sure to share it with us in the comments section (or even better - write an original!) And if you need some creative inspiration, I highly recommend attending a poetry slam in your city or town! Or visit Poetry.org. Leave a comment!

Feel free to leave a comment!

Have you been to The Creative Zone lately?

It’s a great place to visit, isn’t it?

I’ve been there for the past few days, in case you were wondering.

Here’s how I got there:

I started playing guitar again. Mind you, I’m not a very skilled musician. I know how to play maybe five or six chords. I write simple melodies and sometimes record them on Guitar Tracks.

Despite my limitations as a musician, I absolutely love playing music. It puts me in The Creative Zone.

So what exactly is The Creative Zone? What does it feel like? How can you find it?

Allow me to describe my Zone experience these past few days as I recorded my latest song.

Maybe you’ll relate, and if you can’t, well, consider these the signs that let you know you’ve arrived:

1. I felt total passion, joy, and love for what I was doing.

2. Time does not exist in The Creative Zone; I started recording at 9am. A minute later I looked up and it was 3pm.

3. There is no hunger (for food) in The Creative Zone. I didn’t eat all day - didn’t even think about it - I was totally focused and immersed.

4. I felt challenged the entire time - frustrated by my lack of musical skill, singing ability, and engineering know-how, yet forging ahead anyway. I loved the entire process and was determined to record the music the best I could.

5. I left The Creative Zone when things got frustrating. I felt like I’d ruined the music. I took a walk and sat under a tree and let the sun shine on me. When I re-entered The Zone I felt clearer. I could hear the song with fresh ears and repaired the problems quickly.

6. I felt excited by the process - like I was on a mission. I wanted to record the melody for posterity. My friend Samantha sang harmony on the song, and I wanted her to have a nice recording.

7. When the tune was finished, I could hear the imperfections, but I knew I was done. I liked it. I felt tremendous satisfaction. I was exhausted…the good kind of exhaustion that comes from working hard at something meaningful to you.

The song is an instrumental - six minutes of a dreamy, repetitive guitar melody.

It’s called Epiphany.

Would you like to hear it?

Are you sure?

Okay…Go here.

(To read more on the subject of getting into The Creative Zone, check out a book called Flow.)

What about you? Are you in The Creative Zone? Be sure to leave a comment, describing what it feels like when you’re there!

This morning as I poured myself a cup of coffee, the sun from the kitchen window shone through the glass pot causing a brilliant light show on my counter. I took a picture of it for you (with no adjustments in Photoshop). See?

This sort of event can throw me off my work schedule for hours. I hovered over the counter for quite some time, swirling the pot, making the light dance.

The way I see it, anytime you get an opportunity to collaborate with the sun on a creative project you should take it.

Here’s hoping you discover something magical in the ordinary moments of your day today!

Here’s a short animated video (below) from the early psychedelic years of Sesame Street that might help you find your way home (or at least inspire you in the same way a good acid-trip would). This thing haunted me as a kid and and probably influenced me in a million ways. (My favorite part is when the yo-yo man pops out and the kids says “WOW!”) Enjoy!

What do you think? When you get lost creatively, how do you find your way home? Leave a comment!

Do you recognize creative opportunities when they happen to you?

Do you seize them?

A few nights ago I had the rare chance to sit in the stands of Fenway Park late at night after everyone had gone home.

Just me. Alone. In the empty seats of one of the greatest, most legendary ballparks on Earth. (Where Babe Ruth played, and Ted Williams, etc.)

How did it happen? I had just finished drawing at a private function for Fenway employees in one of the VIP clubs inside. After the party ended, instead of going home I snuck out into the park, and to my surprise there wasn’t a soul out there.

It was amazing. How many people get to experience Fenway Park like this? I wondered. I sat for a long time in the upper decks above home plate, savoring the view and the warm night air, feeling awed by the history of the place.

After basking for a while it hit me - hey, wait a second - you have free reign here. I looked around. The place was empty. Not a security guard, nobody. No one telling me to leave.

Do something! I thought…Take advantage of this…creatively…somehow (without getting arrested)!

So I spent the next hour walking through the park shooting these photos with my iPhone.

I climbed over countless rows of darkened seats, walked along the left field line near the Green Monster and all the way around to Pesky’s Pole in right field. (Sorry, I didn’t step on the grass…out of respect…and fear of getting caught!)

My hope was to capture the spooky, ghostly feeling I had being in the park at a forbidden hour.

It was such a cool feeling, wandering around empty Fenway when I shouldn’t be. Like I was getting away with something sneaky.

It felt like a once in a lifetime opportunity, taking photos like this…even if they’re kind of grainy.

Below…The Monster looms in the dark…

Just hours before, the seats were filled with 40,000 cheering fans.

It’s an experience I don’t think I’ll ever forget.

I could have done what I usually do after a gig - go home. I’m so glad I didn’t. How could I?

Would you have?

On my way out, the souvenir stands were closed, but what souvenir could be better than the memory of wandering through Fenway Park alone, after-hours, totally free to be creative, shooting pictures?

And look, ladies - No lines, no waiting!

When was the last time you took creative advantage of an unusual opportunity? Leave your comments…

What tools do you need for your creativity?

Do you already have them? If not, how come?

If you do have them, are they quality tools? Professional? Do they function properly?

I thought I’d post about this, because it’s a factor for a lot of creative people, including myself.

Sometimes I’m guilty of not owning the best tools. Tools that will make my creative journey easier, maybe even earn me more money.

Ironically, money is often the reason - or the excuse - why we don’t buy the best tools.

I have a talented musician friend who sometimes asks to borrow my microphone whenever he performs live. This guy writes songs as good as Kurt Cobain for godsake. He needs to buy his own damn mic! He’s worth it!

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Maybe that’s another reason we don’t get proper tools. We don’t take our creativity, our talent, our passion, our calling, seriously enough.

Whenever I deliberate about buying a new computer, my buddy John says, “It’s an investment, man…an investment in your art and your business!”

He’s right. We owe it to ourselves to paint with the best brushes we can afford.

I’m so glad my novelist buddy has a new computer, because for months he wrote his stories on a laptop that took 15 minutes just to boot up. When it finally did, typing on it was like…oh I don’t know…using spraypaint to do calligraphy. It was torture. There’s no excuse for suffering like this when you’re a creative genius!

Let’s think about it:

~ Did Babe Ruth step up to the plate with a broken bat?

~ Does The Iron Chef buy woks at Walmart?

Nope!

Don’t misunderstand. Maybe you only need Photoshop 3 to achieve your goals like illustrator Bob Staake. Or maybe, like Willie Nelson, you play an acoustic guitar with a dozen holes in it but it still sounds fantastic.

The question is, do you have tools that enable you to do your creative magic and perform at your best, smoothly and easily?

Maybe you can make a list right now. Call it Dream Tools for My Creativity.

Make the list…then save up and get what you need.

‘Cause you’re talented.

And you’re worth it.

What quality tools do you use for your trade? Care to share? Leave a comment!

[I’d like to thank Lucie’s Weddings & Events for sending me a donation. I appreciate it!]